𝗖𝗢𝗠𝗠𝗨𝗡𝗜𝗧𝗬 𝗦𝗧𝗘𝗣𝗦 𝗨𝗣: Piano Man Receives Donated Piano After Local Haulers Deliver to Boardwalk

VENICE, CA — Saturday, November 29, 2025 — Community stepped up on the Venice Beach Boardwalk today, as a donated piano was delivered to longtime performer Nathan “The Piano Man” Pino with the help of two small Westside businesses who volunteered their time, trucks, and hands to get him playing again.

Blue Mule Hauling, a family-run local hauling company owned by Amanda Arreola and her husband, coordinated the pick-up of the donated piano in Los Angeles after seeing Santa Monica Closeup’s coverage of Pino’s instruments being removed and destroyed during recent city cleanups. They brought in additional support from Scotties Flatbed, another Westside independent hauler, who volunteered a larger truck to safely transport the upright to the boardwalk.

“We saw Nathan had gotten his piano taken away and we were able to help him find a new piano and bring it down here for him to play for everybody,” said Amanda Arreola. “We got some help from Scotty’s tow to get it down here — it was a little bigger than our truck could handle. We’re looking forward to having lunch at the Sidewalk Café and listening to him play.”

Amanda said the pickup was easier than expected thanks to the flatbed truck’s extendable bed, eliminating the need to carry the instrument down stairs. The donor, who inherited the piano from her mother — a woman who walked the Venice shoreline every morning and knew Pino’s music — was “very happy” to see it go to him.

Pino arrived to find the piano waiting at his regular spot and expressed gratitude to the crews who made the delivery possible. With help from neighbors and small business owners, he is once again equipped to share music with visitors, locals, skaters, families, and longtime boardwalk regulars — a reminder of how quickly the Venice community can rally around one of its own.

UPDATE: After the delivery, Pino discovered several problem keys and said he would attempt quick repairs to make the instrument playable, including gluing broken pieces. Blue Mule Hauling clarified its role in a public comment, noting that after seeing coverage of Pino’s situation the company offered transportation if he found a piano, and that Pino contacted them after locating this one on Craigslist. The company said it was unaware of the instrument’s condition, that Nathan will continue searching for a better piano while working to get this one playable, and that when he finds a suitable replacement they will return to pick up and dispose of the current unit. Santa Monica Closeup will continue following developments as Pino and community partners work toward a permanent, performance-ready piano for daily music on the boardwalk.

𝗚𝗟𝗔𝗗𝗜𝗔𝗧𝗢𝗥 𝗦𝗧𝗢𝗥𝗠 𝗩𝗘𝗡𝗜𝗖𝗘: Chariot and Warriors March Down the Boardwalk for Spartacus Promo

A column of armored performers and a horse-drawn chariot moved through the Venice Beach Boardwalk on Saturday, November 29, 2025, turning heads along the coastal walkway as crowds paused to watch a scene reminiscent of ancient Rome. The group — dressed in leather skirts, metal arm guards, and carrying round shields and spears — advanced in formation beneath bright morning light, their sandals striking the pavement between souvenir shops and beach vendors. Behind them, two draft horses pulled an ornate chariot. An actor in red and blue robes gestured to onlookers, while another held the reins steady as the procession pushed forward. The spectacle appeared to be a promotional march for Spartacus: House of Ashurlo, the new STARZ Original series expanding the well-known Spartacus franchise. The campaign leaned heavily into historical imagery, using full costume, props, and live horses to evoke the world portrayed in the show. Visitors filmed with phones, stepped back to allow the group to pass, and gathered around the boardwalk corridor as the troupe continued north. The sight offered a striking contrast — ancient-style warriors moving past modern storefronts, roller skaters, and weekend foot traffic. The promotion comes ahead of the release of Spartacus: House of Ashur, a series that imagines the gladiator Ashur surviving to claim control over the very training ground where he once fought. The production stars Nick E. Tarabay, Graham McTavish, and Tenika Davis. Santa Monica Closeup observed the full procession along the beach walkway, documenting the moment as art, commerce, and performance intersected with everyday life at Venice Beach.

𝗙𝗢𝗖𝗨𝗦 𝗢𝗡 𝗠𝗔𝗜𝗡: Venice’s Iconic Binoculars Undergo Restoration at Google-Occupied Landmark

 

Under clear coastal light on Friday, November 28, 2025, crews were seen high on lift platforms actively refurbishing the Giant Binoculars on Main Street — a rare restoration on one of Venice’s most recognizable landmarks. Primer patches and resurfaced sections marked visible progress on the sculpture’s exterior, signaling an ongoing effort to preserve its distinctive matte finish and structural detail.

Designed in 1991 by architect Frank Gehry in collaboration with artists Claes Oldenburg and Coosje van Bruggen, the oversized binoculars have long served as both sculpture and functional gateway. For years, vehicles passed directly through the lenses to enter the courtyard, a signature example of postmodern design that blurred the boundary between utility and monumental art. The structure remains a defining presence in Venice’s architectural identity — surreal, playful, unmistakably bold.

The building that sits behind the binoculars, once home to the advertising agency Chiat/Day, is now occupied by Google, extending the location’s creative legacy into the digital era along the booming tech corridor known as Silicon Beach.

The refurbishment is being carried out by Randall/McAnany, a Southern California company established in 1978 by William A. Randall and Timothy J. McAnany. Originally operating from a 200-square-foot office with a small warehouse, the firm has since grown into a Gardena headquarters with 1,800 square feet of office space and 15,000 square feet of warehouse capacity. After Randall’s retirement in 1994, McAnany became President and C.E.O., later transitioning to Chairman of the Board as Stefan Politz stepped into the executive role in 2009 — marking nearly five decades of continuous operation in the region.

Workers appeared to be sanding, resurfacing, and applying new coatings to the binoculars throughout the day — part of a larger preservation effort to ensure the sculpture remains structurally sound and visually striking for years to come. Once refinished, the binoculars are expected to return to their deep, uniform tone, restoring the iconic street-level silhouette that has drawn curiosity, cameras, and architectural study for more than thirty years.

Still standing at the crossroads of art, industry, and imagination, Venice’s binoculars remain a landmark worth watching.

𝗧𝗛𝗔𝗡𝗞𝗦𝗚𝗜𝗩𝗜𝗡𝗘𝗚 𝗜𝗡 𝗩𝗘𝗡𝗜𝗖𝗘: 13th Annual Block Party Delivers Hot Meals, Shoes & Support to the Unhoused

On Thanksgiving Day, Thursday, November 27, 2025, the Lost Angels Organization marked its 13th annual holiday block party on Rose Avenue in Venice — extending hot meals, essential supplies, and a sense of community to those living without housing. The block, stretching from Hampton Drive to Main Street, filled with folding tables, serving lines, and volunteers working shoulder-to-shoulder to bring comfort and connection into the holiday.

Guests were offered warm Thanksgiving plates with all the traditional fixings and invited to move through a distribution area where new shoes, clothing, socks, and toiletries were provided. A structured support system paired participants with volunteers who guided them through food service, clothing selection, and other resources, ensuring no one drifted through the event unnoticed or alone. The buddy approach emphasized personal interaction — conversations at the serving table, shared moments of gratitude, and a reassuring reminder that the community continues to show up.

Along the sidewalk, volunteers prepared hot trays, handed out cups of water, fitted shoes, sorted donated goods, and checked in with people one by one. The effort reflected the organization’s long-standing philosophy that no one gets left behind, a sentiment visible in the steady line of warm plates, the careful matching of shoe sizes, and the time taken to speak with individuals who arrived.

Lost Angels, a 501(c)(3) nonprofit, relies on public support and volunteer labor to sustain its annual outreach — including its upcoming December distribution. Those wishing to participate or donate may visit @LosAngelsOrg on Instagram or LostAngelsLA.org.

Thirteen years into its tradition, the Thanksgiving block party once again turned a stretch of Venice pavement into a space of generosity and dignity. For many who attended, the holiday meal served as nourishment and connection, reflecting the enduring impact of small acts of care.

Santa Monica Closeup will continue documenting community-driven efforts like this one, highlighting the people and stories shaping life on the Westside.

𝗙𝗘𝗘𝗗𝗜𝗡𝗚 𝗩𝗘𝗡𝗜𝗖𝗘: Daisy the Venice Healer Joins Grassroots Effort to Stock Free Pantry in Venice

 

On Wednesday, November 26, 2025, Venice-based organizer Michael Brandt, founder of the evangelical outreach group Neighbors Feeding Neighbors, stood beside a sidewalk pantry on Pacific Avenue near Horizon in Venice, joined by local healer and community figure Daisy, to help restock and beautify the space with fresh plants and flowers.

The pantry, located behind the Trading Post at 1324 Pacific Avenue, operates as a 24-hour, zero-barrier food and essentials station—offering round-the-clock access for those in need, and an open invitation to the public to donate freely. Brandt described the project as a pilot meant to demonstrate how community-led solutions can bypass bureaucracy while fostering direct mutual aid.

“It’s a 24-hour, zero-barrier, no-bottleneck pantry for the public—and it’s free,” said Brandt. “We wanted to show people you can just do things if you do it the right way. Anyone can donate at any time, and likewise, anyone can take what they need.”

Daisy, known across Venice as “the healer,” volunteered her time to organize the pantry and plant flowers around the base. Her efforts drew praise from Brandt, who credited her with bringing people together and adding spiritual and aesthetic warmth to the initiative.

Neighbors Feeding Neighbors was originally formed in response to the rollback of emergency SNAP food benefits, which left many low-income families without reliable access to meals. Brandt emphasized the need for a modernized food relief model—one that partners with local restaurants, rewards donors with gift cards or experiences, and allows businesses to contribute without harming their brand reputation.

“If you're a family and walk into a restaurant saying you can’t feed your kids, they have to say no—because there’s no system in place,” Brandt said. “We’re building that system so the answer can be yes.”

Currently, the group is hosting a coat drive through the end of November, and encourages community members to drop off clean, gently used coats and nonperishable foods. Donors who tag @feedingneighbors on social media may be gifted a local experience or gift card as thanks.

“Neighbors speak to neighbors,” said Brandt. “And that’s what this is all about.”

Santa Monica Closeup will continue following developments from this community effort in the weeks ahead.

𝗛𝗢𝗟𝗜𝗗𝗔𝗬 𝗦𝗣𝗜𝗥𝗜𝗧: Artist Anthony Schmitt Reflects on Meaning, Memory, and Holiday Tradition While Decorating Cart Tree

SANTA MONICA — Wednesday, November 26, 2025 — On a warm and sunny afternoon ahead of Thanksgiving, artist Anthony Schmitt and longtime collaborator Scott Frentrop continued decorating the Shopping Cart Tree on the lawn of the California Heritage Museum, adding lights and ornaments that span three decades of the installation’s history.

Schmitt said the finishing touches — many of which have appeared on the tree since the early 1990s — carry layered symbolism and memory. “Some of these lights and ornaments are 30 years old,” he said, noting that several pieces originated from the former Edgemar location and were later stored, preserved, and restored for continued use.

As pedestrians stopped to watch and photograph the progress, Schmitt reflected on what the Shopping Cart Tree has come to represent within the community. “It challenges us on our attitudes towards abundance and generosity — those who have nothing and push carts with their belongings, and those who fill multiple carts at the grocery store,” he said. “It’s a representational language.”

Schmitt also acknowledged the civic collaboration behind the annual build, emphasizing Main Street’s role while extending recognition to other Santa Monica districts. “I really appreciate the coming together of the city,” he said. “Main Street takes care of its own, but we also pay attention to what Montana, downtown, Pico, and Ocean Park need. It’s partnership — all of us working together to make the Santa Monica experience joyful.”

This year marks the tree’s second season at the museum grounds, following decades at Edgemar. Schmitt expressed gratitude for the transition and the support behind it. “With a new location for the Shopping Cart Tree at the California Heritage Museum, I think it’s really special. We’re grateful for Toby, and grateful for the Farmers Market working with us,” he said.

The artist also spoke to the ornaments’ history — pieces collected, contributed, and passed down through years of involvement from local residents and supporters. Snowflakes chosen with the late Jan Bates remain part of the display, along with original decorations faded by time but intentionally preserved. “It brings back great memories for those of us who know the people who contributed early on,” Schmitt said. “Some families have lost loved ones — sometimes the holidays are joyful, sometimes heavy — and these ornaments hold that memory.”

Schmitt shared stories from past years, noting that the tree has prompted conversations, criticism, celebration, and cultural interpretation — including a longtime detractor who later embraced the installation after it shifted from blue-and-white to red. To Schmitt, the evolution reflects the purpose of the work. “I welcome all faiths and beliefs,” he said. “It’s important we have compassion for one another, so we can collaborate and make the world a joyful place.”

The tree-lighting ceremony will take place Sunday, December 7, from 3:30 p.m. to 6:30 p.m., featuring photos with Santa, performances by the Santa Monica High School Choir, and holiday activities along Main Street. Visitors are encouraged to shop local, dine, and take part in seasonal offerings.

Santa Monica Closeup will continue following the installation through lighting and community celebration. 

𝗩𝗘𝗡𝗜𝗖𝗘 𝗣𝗜𝗔𝗡𝗢 𝗠𝗔𝗡 𝗦𝗣𝗘𝗔𝗞𝗦 𝗢𝗨𝗧: Nathan Raises Funds After City Removes His Pianos from the Boardwalk

VENICE, CA — Saturday, November 22, 2025 — Three days after city crews destroyed one upright piano and impounded another during a multi-agency cleanup along the Venice Beach Boardwalk, longtime street performer Nathan Pino — “The Venice Piano Man” — was back at his usual spot on Ocean Front Walk, talking with passersby and trying to chart a path forward.

Pino, seated in his wheelchair near the performance zone where he has played for more than two decades, spoke with Santa Monica Closeup on Saturday afternoon about the loss of his instruments, his decades-long history on the boardwalk, and his effort to secure a replacement piano. During the interview, several people stepped forward to press cash into his hand after hearing what had happened.

“People have always been great to me here,” Pino said, noting that word about the piano seizure has quickly spread through the neighborhood and among longtime visitors. “All kinds of people stop and give me goodwill and good faith. It’s really heartwarming.”

The conversation followed a series of recent enforcement actions involving Pino’s pianos:

• On October 31, cleanup crews found two unattended upright pianos during a scheduled boardwalk sweep, initially considering removing them before confirming ownership and leaving them in place with a written warning.

• On November 5, Los Angeles Police officers cited Pino under Los Angeles Municipal Code Section 42.15 for having one of the pianos partially outside the marked performance box.

• On November 19, during a coordinated homeless sweep and sanitation pass, city crews again found both pianos unattended. One, heavily damaged by the elements, was discarded directly into a garbage truck; the second was loaded onto a municipal vehicle and taken into city custody. A property-retrieval notice was posted nearby, directing the owner to “The Bin” in downtown Los Angeles, where seized items are held for up to 90 days.

Pino expressed deep skepticism that impounded instruments are truly preserved.

“They say they put it in storage, but they don’t really put it in storage,” he said. “You go to get it and there’s nothing there. You go all the way downtown with a truck and then they tell you to come back another day, knowing what a hardship that is.”

The logistics and cost of reclaiming the boardwalk piano are, he said, out of reach. He estimated that renting a truck and hiring labor to move a full-size upright would cost around $150 to $200 “on a shoestring,” money he does not have.

“It’s not worth it,” he added, saying recent rain and lack of tarp protection had already left the instrument in rough shape.

Instead, Pino is focused on a different path: a donated piano from a supporter in Pasadena.

“Some lady from Pasadena is giving me a piano,” he said. “I just have to go pick it up. That’s why I’m out here trying to collect some money — I’m totally broke.”

He said he intends to store any new piano behind the fenced area at Big Daddy’s, with the owner’s permission, rolling it out to the boardwalk early each day to avoid future impoundments.

“Casey from Big Daddy’s told me I can go behind the fence there and leave it as long as I get it out early,” Pino said. “That’s what I’m going to do.”

Pino also described the $400 citation he recently received for having one of his pianos slightly outside the painted performance box lines before he had fully set up for the day, saying the lines were difficult to see and that he believes he was singled out. He said he plans to contest the ticket.

Beyond the immediate enforcement issues, the Venice musician offered a snapshot of a life spent at the piano. Pino said he has played on the boardwalk for 23 years, often tuning his instrument by ear daily to keep it playable despite constant exposure to salt air and shifting weather.

“You’re not really a musician unless you can tune by ear,” he said, explaining that some days a tune-up takes 15–20 minutes and other days it can stretch to an hour.

Before settling into his role as a Venice Beach fixture, Pino said he worked as a professional musician across the United States and Canada, including touring with the rock band Iron Butterfly and doing session work for multiple record labels. He recalled being brought to Los Angeles in 1970 after a Columbia Records producer sent him $500 — enough at the time, he said, to buy a car, move his Hammond organ, and start a new chapter in Southern California.

Over the years, he has played hotel lounges, restaurants, and clubs, including a long stretch at the Ambassador Hotel before it closed and a two-week stint covering for another pianist at a restaurant on Rodeo Drive. He said he reads music but often relies on memory and feel when performing outside, mixing standards, originals, and improvisation depending on the crowd.

“I love playing here,” Pino said of the boardwalk. “The people are great. I have many, many friends here. A lot of people come to see me — even people from my grammar school.”

He added that he prefers a real acoustic grand piano to digital instruments, saying an expensive digital grand he bought years ago has sat largely unused, because “it’s just not like a real piano.”

Pino also briefly recounted a past dispute involving a Steinway grand he once owned and stored in a private facility, which he believes was mishandled and ultimately lost. That experience, he said, left him wary of storage companies and more inclined to keep his instruments close — even if it means fighting the elements on the boardwalk.

Now, facing mobility challenges and relying on a wheelchair, Pino said playing remains central to his identity and survival.

“If I don’t play, I die,” he said. “The only thing keeping me going in my life is that.”

Despite frustration with enforcement and the loss of his recent instrument, he insisted he intends to be back behind a keyboard or a full-size piano in the coming days, once he can raise enough money to retrieve the donated instrument and arrange transport.

“I’m definitely going to have a piano,” he said. “I’m not going to let this stop me.”

Santa Monica Closeup continues documenting public events of local significance across the Westside, including homelessness outreach, law-enforcement activity, infrastructure operations, and cultural stories like Venice Beach’s long-running relationship with street performance and live music.

𝗖𝗢𝗡𝗦𝗧𝗥𝗨𝗖𝗧𝗜𝗢𝗡 𝗦𝗧𝗔𝗚𝗜𝗡𝗚: Pier Bridge Replacement Mobilization Underway in Beach Lot 1 North

SANTA MONICA, Calif. — Saturday, November 22, 2025 — The first signs of pre-construction activity for the Santa Monica Pier Bridge Replacement Project are now visible in Beach Parking Lot 1 North, where heavy equipment, storage containers, and construction fencing mark the start of staging operations.

The city confirmed that crews will use the 1550 Beach Lot for mobilization through the end of the year, preparing the site for the $35 million replacement of the 86-year-old Pier Bridge that links Ocean Avenue and Colorado Avenue to the Santa Monica Pier. Work hours are scheduled Monday through Friday from 7 a.m. to 5 p.m.

According to the city’s project update, initial activities in November include pre-location of the parking pay booth, trash compactor, and equipment storage. By early December, construction teams will expand the staging area for pier-widening and utility work. Parking availability will gradually be reduced to approximately 1,000 spaces, with dedicated access maintained for Pier visitors and employees.

The replacement bridge—led by Shimmick Construction Company, Inc.—will be seismically upgraded, pedestrian-friendly, and built with a 75-year service life. Construction is slated to continue through late 2027, with the Pier remaining open to the public throughout the process.

City officials note that more than 75 percent of project funding comes from the Federal Highway Bridge Program, with the remainder supported by local transportation funds.

As staging ramps up along the beach, the transformation of Santa Monica’s most iconic entryway is shifting from planning to preparation—signaling the true start of the Pier’s long-anticipated rebuild.

Santa Monica Closeup will continue documenting the project’s progress as work expands along the waterfront.

’𝗧𝗜𝗦 𝗧𝗛𝗘 𝗦𝗘𝗔𝗦𝗢𝗡: Artist Anthony Schmitt Installs 20-Foot Shopping Cart Tree at California Heritage Museum

SANTA MONICA — Thursday, November 20, 2025 — A long-running Main Street holiday tradition resumed on Thursday as artist Anthony Schmitt continued assembling his signature Shopping Cart Tree on the lawn of the California Heritage Museum. Working with longtime collaborator Scott Frentrop, Schmitt spent the day securing the final tier of the bright red, child-sized shopping carts that form the latest version of the sculpture.

The pair began building the structure on Tuesday and expect to complete the full assembly later today. Lights will be added on Friday, followed by several days of decorating. Schmitt said the tree will be fully finished in time for the Sunday Farmers Market.

This year’s installation marks a relocation for the project. For decades, the Shopping Cart Tree stood in the Edgemar courtyard behind Blue Bottle Coffee and Holy Grail Donuts. After renovations and new restaurant development at that site, the tree has shifted to the museum grounds. “We’re so happy to be here in this new space,” Schmitt said. “It’s good to have the cart tree back on Main Street.”

The 2025 version stands about 20 feet tall and is constructed from 57 red “kitty carts”—children’s grocery carts selected for their scale and affordability. The previous Main Street tree was significantly larger, built from 94 full-size carts and reaching roughly 35 feet.

Schmitt said the red color carries special meaning this year. After researching the symbolism of red trees, he chose “transformation” as the theme — a reflection of the project’s new location, the shift in size, and the spirit of seasonal renewal. “A sense of unity, hope, and transformation feels right,” he said.

Funding for the installation comes from the Main Street Merchants Association, which supports the annual build and welcomes community contributions to sustain the tradition.

The public tree-lighting ceremony is scheduled for December 7, from 3:30 p.m. to 6:30 p.m., featuring photos with Santa, a performance by the Santa Monica High School Choir, and holiday activities for families.

Now marking its 31st year on Main Street — and Schmitt’s 37th Shopping Cart Tree overall — the installation continues a tradition that began with a single cart he once noticed sitting alone in a park. Schmitt said shopping carts symbolize a wide range of experiences, from poverty and abundance to childhood independence and play. “There’s a sense of generosity and enjoyment wrapped up in something as simple as a cart,” he said.

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Santa Monica Closeup continues documenting the city’s seasonal traditions and public art installations throughout the holidays.

𝗕𝗟𝗜𝗠𝗣 𝗣𝗥𝗢𝗠𝗢: Orange “Marty Supreme” Blimp Floats Over Santa Monica

SANTA MONICA, Calif. — November 18, 2025 — An eye-catching burst of orange drifted across the coastal skyline Tuesday as a bright promotional blimp for the upcoming film Marty Supreme made its way over Santa Monica. The airship, emblazoned with the words “MARTY SUPREME”, cruised above the beach and downtown corridor during the afternoon, drawing glances from beachgoers and residents who noticed the unusual sight against a backdrop of towering post-storm clouds. According to the studio’s campaign materials, the flyover is part of a broader Los Angeles promotion for the film, which stars Timothée Chalamet as Marty Mauser — a fictional 1950s table-tennis prodigy whose rise, rivalry, and ambition form the heart of the story. The blimp’s appearance added a surreal flash of color to an already dramatic sky, marking one of the more distinctive promotional stunts to pass over the Westside this fall. Santa Monica Closeup continues monitoring notable moments in the skies and on the ground across the Westside.

𝗛𝗢𝗠𝗘𝗥 𝗜𝗡𝗩𝗔𝗦𝗜𝗢𝗡: Dozens of Homers Hit the Promenade for Fortnite’s Simpsons Crossover

Santa Monica, November 17, 2025 — A rainy Monday brought an unexpected spectacle to the Third Street Promenade as roughly 50 life-size Homer Simpson characters filled the pedestrian corridor in a coordinated promotion for Fortnite’s new month-long collaboration with The Simpsons. The procession of Homers greeted shoppers, posed for selfies, and performed a synchronized group dance as onlookers crowded beneath umbrellas to watch the pop-up flash mob unfold. The activation showcased Fortnite’s newly released Simpsons skins and Springfield-themed content now available to players throughout November. Adding to the surprise, Simpsons creator Matt Groening made an appearance at the event. Groening photographed the Homer performers, met with fans along the Promenade, and posed for photos with visitors who recognized him — turning the promotional stunt into a rare public moment that blended gaming culture with animation history. Fortnite’s crossover, which launched November 1 and runs through November 29, introduces a cel-shaded Springfield map, themed weapons, character outfits, and a slate of in-game gags tied to the long-running series. Players can access Homer, Marge, Flanders, Blinky Fishstick, and other Springfield-inspired skins through the Springfield Battle Pass. Disney+ is also rolling out four new Simpsons shorts this month to expand the crossover storyline, offering fans an animated explanation of how Springfield enters the Fortnite universe. Despite steady rain, the Promenade crowd grew as the Homers marched, danced, and interacted with visitors, transforming a gray Monday into a vivid, cartoon-colored street scene. Santa Monica Closeup continues to document notable public moments of community significance across the Westside.

𝗩𝗘𝗧𝗘𝗥𝗔𝗡𝗦 𝗗𝗔𝗬 𝗧𝗥𝗜𝗕𝗨𝗧𝗘: Santa Monica Honors Service Members with Flyover, Awards, and Future Soldier Oath at the Pier

SANTA MONICA, Calif. — November 11, 2025 — The Santa Monica Pier transformed into a stage of remembrance and pride on Tuesday as civic leaders, military officials, and residents gathered for the city’s sixth annual Veterans Day Ceremony. The event brought heartfelt tributes, solemn reflection, and patriotic celebration beneath an overcast coastal sky.

The ceremony, hosted in partnership with the U.S. Army, featured remarks from Councilmember Dan Hall, Mayor Lana Negrete, and General Bryan P. Fenton, Commander of the U.S. Special Operations Command, who delivered the keynote address.

Honoring Service and Sacrifice

Councilmember Dan Hall, a West Point graduate and Army veteran, opened the ceremony by reflecting on the meaning of Veterans Day and his own experiences at the U.S. Military Academy. “Standing here on the Santa Monica Pier, we gather in a place where people come to feel restored,” Hall said. “It is the perfect place to honor the men and women who carried that truth with them into service.”

A Message of Gratitude from the Mayor

Mayor Lana Negrete expressed deep appreciation for veterans and active-duty service members, including her own family members who have served in the Army. “It takes a very courageous, generous, selfless, and disciplined person to respond to the call to fight for the greater good,” Negrete said. “While we may have this Veterans Day celebration once a year, you have our gratitude and respect every day.”

Negrete also acknowledged the city’s Palisades Fire recovery heroes, presenting official commendations to organizations and agencies that played key roles in the region’s recovery efforts. Honorees included the American Legion Post 283, Coulson Aviation, the U.S. Army Corps of Engineers, and the California National Guard.

General Fenton’s Keynote Address

General Bryan P. Fenton, who recently concluded his tenure as commander of U.S. Special Operations Command, spoke passionately about the enduring legacy of military service.

“Veterans Day is a sacred day — a day when we pause as a nation to recognize veterans, past and present, who have served in defense of our freedoms,” Fenton said. He saluted wounded warriors, Gold Star families, and service members missing in action, calling them “the best of humanity.”

Fenton also highlighted ongoing challenges veterans face, including homelessness, unemployment, and suicide, urging continued public support: “By working together, we can ensure that those who gave so much receive the care, support, and opportunities they deserve — honoring our veterans year-round.”

Awards for Fire Recovery Heroes

Following his address, Mayor Negrete presented awards of commendation recognizing the tireless work of emergency responders and partner agencies during the January 2025 Palisades Fire.

• American Legion Post 283 was honored for transforming its facility into a disaster relief center.

• Coulson Aviation received recognition for its precision aerial firefighting missions, including more than 3 million gallons of water dropped during the wildfire emergency.

• The U.S. Army Corps of Engineers was commended for cutting debris removal timelines in half through military efficiency and compassion.

• The California National Guard was recognized for securing burned areas and supporting displaced families during recovery.

Future Soldiers Sworn In

In a moving conclusion, General Fenton administered the Oath of Enlistment to a formation of new recruits, who raised their right hands and pledged to support and defend the Constitution of the United States. The crowd stood in applause as the future soldiers completed the oath, symbolizing the continuation of service and sacrifice across generations.

The ceremony also included a Chinook helicopter flyover from Coulson Aviation, a National Anthem performance by Master Sergeant Keith Beyer, and “God Bless America” sung by Miss USO Heidi-Marie Ferren.

Music and post-ceremony festivities followed, featuring DJs from 95.5 KLOS and Power106, while veterans and active military members received free meals and ride passes courtesy of Meals on Wheels and Pacific Park.

The event, organized by Sonki Hong, Civilian Aide to the Secretary of the Army, underscored Santa Monica’s ongoing commitment to honoring its veterans and those who continue to serve.

“Every veteran carries within them a story of honor and resilience,” Hong said. “Through their service, they have written the very definition of patriotism.”

𝗦𝗖𝗜𝗘𝗡𝗧𝗜𝗦𝗧𝗦 𝗔𝗧 𝗪𝗢𝗥𝗞: Agencies Conduct Necropsy on Beached Whale in Santa Monica

On Monday, November 10, 2025, a team of veterinarians and marine biologists carried out a necropsy on a Cuvier’s beaked whale on Santa Monica Beach to help determine condition, cause of death, and any contributing factors. The animal — an adult male weighing more than 4,000 pounds and approximately 20 feet long — had originally washed up alive in Malibu on Friday before later coming ashore in Santa Monica.

The operation involved multiple agencies working side-by-side on the sand, including the California Wildlife Center, Marine Mammal Care Center Los Angeles, Pacific Marine Mammal Center, and Santa Monica entities such as Beaches and Harbors, maintenance crews, police, fire, and lifeguards.

California Wildlife Center Marine Program Manager Heather Henderson said the effort aims to preserve as much of the skeleton as possible for scientific study, noting that findings from rare species like this can offer insight into broader ocean health.

Santa Monica Closeup reports this as part of ongoing documentation of coastal events.

𝗗𝗘𝗔𝗗 𝗪𝗛𝗔𝗟𝗘 𝗙𝗢𝗨𝗡𝗗: Remains Wash Ashore on Santa Monica Beach

A deceased whale drew public attention on the sand in Santa Monica on Monday, November 10, 2025, after the animal washed ashore and was later moved farther up the beach by city crews. The carcass — estimated at roughly 20 feet in length — showed clear signs of advanced decomposition. According to observers at the scene, the whale appeared to have been dead for some time before surf and tide carried it in. Crews repositioned the remains away from the waterline to secure the area and prevent the carcass from drifting back into the surf. Members of the public stopped to look, take photographs, and discuss the sighting while keeping a cautious distance. Specialized wildlife personnel are expected to conduct a necropsy — the animal-science equivalent of an autopsy — to help determine species, condition, and any contributing factors in the whale’s death. Santa Monica Closeup reports this as part of ongoing documentation of coastal events.

𝗙𝗜𝗧𝗡𝗘𝗦𝗦 𝗪𝗔𝗩𝗘: Thousands Turn Out for “Run Travis Run” 5K on Foggy Santa Monica Morning

Thousands of runners moved up the center lanes of Ocean Avenue on a foggy Sunday morning, November 9, 2025, as the Run Travis Run 5K brought out a high-energy crowd along Santa Monica’s shoreline. The event — led by drummer Travis Barker — blended wellness culture with Barker’s familiar brand aesthetic, drawing participants across age groups and fitness levels. Many runners wore official race bibs and Run Travis Run apparel as they pushed through the coastal haze toward the finish. Organizers positioned the 5K as more than a timed run, framing it as a lifestyle experience rooted in health, recovery and pop culture. After crossing the line, participants entered a branded post-run activation zone offering sponsor engagements, wellness tie-ins and social-media friendly moments. The high turnout filled Ocean Avenue from curb to curb, underscoring strong community interest in themed fitness events and celebrity-connected runs along the Westside. Santa Monica Closeup documented the scene.

𝗖𝗟𝗔𝗦𝗦𝗜𝗖 𝗖𝗔𝗥𝗦: Dogtown Car Club Draws Crowds at Venice Pier Block Party

Classic cars line Washington Boulevard at the Venice Pier during the Venice Block Party on Saturday afternoon, November 8, 2025 — turning the waterfront corridor into a nostalgic display of craftsmanship and chrome. Visitors stopped to admire the gleaming vehicles, snapping photos and selfies beside the restored rides that stretched toward the pier entrance.

Dogtown Car Club members stood by their vehicles, fielding questions, sharing restoration stories, and revealing the engines that power their decades-old machines. The relaxed, street-level setup fostered conversation between builders and bystanders alike, blending Venice’s neighborhood energy with Southern California’s long-running car culture.

Local artists, food vendors, and pop-up makers added to the scene, transforming the block into a community gathering that celebrated both creativity and heritage.

Santa Monica Closeup captured the atmosphere of the day as locals and visitors united around one of Venice’s enduring traditions — cars, community, and California sunshine.

𝗠𝗢𝗨𝗡𝗧𝗘𝗗 𝗨𝗡𝗜𝗧 𝗟𝗢𝗦𝗦: SMPD Announces Passing of Patrol Horse ‘Laredo’ After Lengthy Medical Battle

Santa Monica Police reported the passing of mounted patrol horse “Laredo,” who died Monday, November 2, 2025, following a seven-month battle with rotational laminitis in his left front hoof. He was 18.

Laredo, originally from Wyoming, joined the department’s Mounted Unit in 2017. He served as a steady partner to mounted officers during routine patrols, protests, and high-activity crowd environments. He was also a regular presence at school demonstrations and public-safety outreach events, where his calm demeanor often resonated with children and families.

In February 2019, Laredo drew wider attention during what officers later referred to as a “hoof pursuit,” when he assisted in tracking a stolen-vehicle suspect in Downtown Santa Monica — a short chase that was captured on Los Angeles television news.

Santa Monica Closeup extends condolences to the Santa Monica Police Mounted Unit. Laredo’s years of service in the downtown and beachside corridors left a visible imprint on the city’s public-safety landscape, and his presence was familiar to countless residents, visitors, and officers alike.

Rest in peace.

𝗚𝗨𝗡𝗦 𝗗𝗥𝗔𝗪𝗡: Police Hold Two at Gunpoint After License-Plate Alert in Santa Monica

On Thursday, November 6, 2025, at around 5 p.m., approximately a dozen Santa Monica Police officers initiated a high-risk traffic stop on Marine Street near Neilsen Way after receiving an automated alert from the city’s camera network regarding a vehicle reportedly wanted for further investigation. Officers conducted the stop with weapons drawn and ordered two occupants out of the vehicle. The individuals were then placed in handcuffs and temporarily detained while officers verified information connected to the alert. According to officers at the scene, the vehicle matched a plate associated with a notice flag — however it was later confirmed to be a rental. After documentation checks and verification, the two individuals were released. Police indicated they would contact the rental company for follow-up regarding the alert originating from the vehicle’s registration. Santa Monica Closeup continues monitoring public safety activity across the Westside.

𝗛𝗜𝗧-𝗔𝗡𝗗-𝗥𝗨𝗡 𝗔𝗥𝗥𝗘𝗦𝗧: Suspect Extradited to Santa Monica in Fatal Wilshire Boulevard Collision

SANTA MONICA — The Santa Monica Police Department confirmed it has arrested a suspect in connection with the fatal hit-and-run collision that killed two pedestrians and critically injured two others on October 24, 2025, along the 1300 block of Wilshire Boulevard.

According to SMPD, the Major Accident Response Team led the initial investigation, with detectives from the Criminal Investigations Division later joining due to the severity of the case and the suspect’s alleged efforts to evade capture.

Investigators identified the alleged driver as 38-year-old Alex Kristopher Earl Kirksey. Prosecutors with the Los Angeles County District Attorney’s Office have charged him with two counts of vehicular manslaughter, two counts of felony hit-and-run causing injury, and one count of reckless driving.

Detectives said the vehicle involved in the collision had been rented through an online platform, and that Kirksey traveled out of state in the days following the crash in an apparent attempt to avoid law enforcement. Investigators also determined that the individual who rented the vehicle allegedly arrived at the crash scene after the collision to ask questions about the incident, and later helped the suspect leave California. The extent of that person’s involvement remains under review by the District Attorney.

Search warrants executed during the investigation led detectives to additional electronic records and contact information, which helped determine Kirksey’s location outside the state.

Working with law enforcement partners in the Midwest, SMPD detectives tracked Kirksey to Chicago. With assistance from the Chicago Police Department, he was taken into custody at or near a transit center, where authorities say he appeared to be preparing to leave the area. He has since been extradited to Santa Monica and is now in SMPD custody.

Interim Police Chief Darrick Jacob said this development marks an important milestone in the case, noting that investigators “worked tirelessly to identify and locate those responsible for this senseless act.”

Los Angeles County District Attorney Nathan J. Hochman also issued a statement, saying his office remains committed to justice on behalf of the two victims killed — 61-year-old Maura Cohen and 61-year-old Brad Lipshy — as well as the two other victims who remain seriously injured.

Authorities are asking anyone with additional information about the collision to contact Traffic Investigator Lantz Lewis at (310) 458-2201 ext. 5311 or the SMPD Watch Commander’s Office at (310) 458-8427.

 

𝗗𝗜́𝗔 𝗗𝗘 𝗟𝗢𝗦 𝗠𝗨𝗘𝗥𝗧𝗢𝗦 𝗣𝗥𝗢𝗖𝗘𝗦𝗦𝗜𝗢𝗡: Aztec Dancers Lead Ceremonial Blessing at Santa Monica Pier

SANTA MONICA, CA — Saturday, November 1, 2025 — The Santa Monica Pier hosted a solemn and culturally significant moment on Saturday as members of the Indigenous community led a Día de los Muertos blessing and procession, marking the start of a two-day program honoring tradition, remembrance, and collective memory. The procession began at the west end of the Pier, where Danza Azteca Kalpoli Atlachinoli dancers — dressed in traditional regalia — offered ceremonial movements before guiding participants toward the historic Merry Go-Round building. The dancers emphasized that this was not a performance, but a ceremony — a sacred act of honoring ancestors and memory — reaffirming the spiritual nature of their presence at the Pier. Inside the Merry Go-Round, visitors moved through an immersive installation featuring marigolds, papel picado, and community-created ofrendas honoring loved ones. Local artistic contributions added personal narratives and reflections connected to Santa Monica’s cultural history. The two-day Día de los Muertos activation at the Pier included free activities and opportunities for public participation, inviting families, residents, and visitors to engage with the holiday’s traditions while reflecting on the meaning of remembrance within the community. Santa Monica Closeup continues documenting public events of cultural significance.

𝗗𝗜́𝗔 𝗗𝗘 𝗟𝗢𝗦 𝗠𝗨𝗘𝗥𝗧𝗢𝗦 𝗖𝗔𝗥 𝗦𝗛𝗢𝗪: Classic Car Lineup Draws Spectators at Santa Monica Pier

SANTA MONICA, CA — Saturday, November 1, 2025 — Several classic cars — including gleaming Chevy Impalas and vintage Ford models — rolled onto the Santa Monica Pier on Saturday afternoon as part of the 6th Annual Día de los Muertos celebration, turning the boardwalk into a temporary open-air exhibition of Southern California car-culture heritage. Spectators paused along the Pier’s parking lot to photograph polished chrome, custom paint, and low-slung profiles that reflected the cultural traditions long intertwined with Chicano and Mexican-American communities. The classic lineup became one of the most visually striking elements of the two-day program. The Día de los Muertos activation — held November 1 and November 2 — once again invited the public inside the historic Merry Go-Round to view and contribute to ofrendas honoring loved ones. The community-focused installation is supported, in part, by the Los Angeles County Board of Supervisors through the Department of Arts and Culture. Saturday’s programming included a traditional Aztec blessing at the west end of the Pier, followed by a parade to the Merry Go-Round building, Ballet Folklorico performances, multiple live music sets, and family-friendly activities throughout the evening. The classic cars remained on display as dancers, families, and visitors moved between performances, blending automotive pride into a cultural celebration rooted in memory, art, and tradition.